Week Five

PROJECT 2 – DUE NEXT WEEK.
Please be sure to send me your graphic score and audio file by next Tuesday, October 1st at midnight. Send the final file via WeTransfer or GooglDrive.


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Check out Anis Haron’s generative sound-based installation Audio Palimpsest.

Below is John Cage’s sound work Aria (Fontana Mix) composed through chance operations.

Coming up. We’ll be talking about the work of sound artist Janet Cardiff. Check out the video about her installation The Forty Part Motet below.

Week Four

-This week we will get caught up on the reading and listening assignments and discuss the The Aesthetics of Noise plus the two listenings for this week. Please come to class ready to share your thoughts.

-This week, I will be covering looping, pitch shifting, time stretching, creating transitions and exporting your final mix. I’ve also made additional Audition tutorials (under the tutorial tab) covering these concepts. If you need a review after class, these cover everything we went over.

-There will be studio time in class this week for you to work on your project.

-Check out this Pinterest board for Graphic Scores

HOMEWORK:
-Continue to work on Project Two. Due in two weeks. Please follow the prompts at the bottom of the Project 2 description page for submitting your project.
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BALTIMORE HIGH ZERO FESTIVAL THIS WEEKEND

The High Zero Festival brings together 22 core musicians, but also involves a much larger subculture of musicians in Baltimore and on the East Coast. Unlike many related festivals, High Zero is not narrow in terms of sensibility or subculture, but rather widely inclusive of all the different types of experimental music-making in the moment. The fact that half of the festival’s core participants are from Baltimore speaks to the depth of Baltimore’s experimental music subculture, which in recent years has grown to be one of the richest cities in the country for experimental art.

Student admission at the door with your MICA ID is $10

High Zero Website
Festival Schedule

Week Three

HOMEWORK:
• I’ve made some basic tutorial videos for Adobe Audition reviewing the basics we’ve covered in class. Available now under the tutorials tab.
• Listen: Lou ReedMetal Machine Music
• Listen: Throbbing GristleThird Mind Movements
• Continue to work on Project 2. Due in 2 weeks.

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– Some examples of William S. Burroughs and Brion Gysin’s cut up films discussed in class can be seen over at UBU.com.
Watch The Cut-Ups

John Cage and Merce Cunningham in conversation about Chance Operations as a creative process. (Below)

Curd DucaTouch (Example mentioned in this week’s reading)

Week Two:

-Project 1 is due today.
Please come to class ready to critique your work.

Great mini documentary on generative music.
3 hours of generative music with a Eurorack modular system.

Homework:
– Read “The Aesthetics of Noise” available under the Downloads tab.
– Install AVR X on your mobile device. iOS | Android
– Install Adobe Audition on your Mac or PC.
– Watch the AVR X tutorial video available under the Tutorials tab.
– Start field recording and begin to build a library of audio for use in Project 2.

Week One

Welcome to Sound Art
This web site will serve as a point of communication between class meetings. Any information, announcements etc. that are of any importance will be posted here. Bookmark this page and check it frequently. I will also be adding more links, videos, downloads and other things as the semester progresses. All these things will expand on the material covered in class.

If you have anything you feel you would like to add in the way of links and points of interest, let us know and I’ll be sure to get it posted.

Sound Artist and pioneer Pauline Oliveros on the difference between hearing and listening.

HOMEWORK:
Reading One: The Art of Noises: a manifesto by Luigi Russolo. Under the Downloads tab.
Begin work on Project 1. Due next class.